![]() ![]() This one took a bit of convincing to let us share a pic of it (even though it was sitting in public view all weekend), and they told us it’s only a concept for now and not a final working design as shown.įor shorter travel bikes like this new Fezzari Signal Peak (100mm to 120mm rear travel), they’ll be launching a new Opal HV inline air shock with no external reservoir. This dual high- and low-speed compression control knob is similar to what’s found on their Jade coil shock and could be coming to an air shock soon, too. A sideways mounted damper cut riot for better figment options on more bikes. Somehow it knows where to remove noise (e.g. I have used several noise reduction programs, and this is by far the best. The goal was to just make a more robust shock, and it gets the usual refinements to the internal circuitry to give you more tuning. With 1 click it usually does a great job of de-noise and sharpening. Combined with the new bushing at the seal (turquoise, above) and a lengthened can length, the shock is both stiffer and better supported. There are more bushings, now, too, and more bushing overlap internally. Lower Boot ID: 2-5/16 Fits Fork Diameters: Upper ID: 40-48mm. The shaft itself is now plated, rather than anodized, so it’s both slicker and more durable. And not only that, Extend the life of your fork seals and shaft by. The Topaz II goes from a 10mm to 12.7mm internal shaft, stiffens the bike for bikes with clevis mounts (like the Ibis it’s picture on) and Trunnion mounts that put more lateral stress on a shock. Shown above is the upcoming DVO Topaz II, which gets more bushings and a larger diameter shaft to make it stronger and reduce stiction under load. The new rear shocks cover the range from long-travel enduro down to short-travel XC and light trail bikes (aka “downcountry” or “fun country”). Instead, Topaz Studio 2 focuses on doing three things well.Spotted at Sedona MTB Festival, DVO Suspension had a few bikes on the rack with upcoming and prototype designs. If it doesn’t contribute to the vision of creating singularly beautiful images through post-processing, then we’re not including it. There’s a lot of photo editors out there that help you manage your workflow and make minor contrast adjustments. That’s why you won’t find library management, design tools, batch editing, or other common "image editor" tools in Studio. It’s for creating works that push the bounds of your artistic vision the few that you know you’ll look back upon in years as one of your best creations. The remaining apps are not M1 native, but will automatically run through your Rosetta 2 emulator if you are using an M1 device. Studio is the editor to use when you want jaw-dropping images and you’re not afraid to spend the time to get them. waterguard perimeter basement drainage channel eaton g80 service manual Only Sharpen AI, DeNoise AI, and Gigapixel AI are M1 native. It’s designed specifically around the artisanal post-processing workflow of carefully crafting a single image to your vision. This starts after you select your image and ends when you export your finished work. We only found one quirk when going back to edit a Smart Object, but. It is a top notch plugin for making big effects with just a few clicks. Topaz Studio 2 will appeal to both beginning and advanced users. Artists work with metal, glass, ceramics. This Photoshop plugin has an easy to understand user interface with a huge range of options and effects. Pai presents unique contemporary jewellery and mixed media art. Some dialogs for close confirmation now have a cancel option for when you change your mind. Celebrating our 20th anniversary in 2020, Lisa A. Brush mask can now be toggled so you can drag and mask easier. There's now a button to swap between landscape and portrait aspect ratios in the cropping tool. Topaz Studio 2 has only one purpose: creative photo editing. Added a reset button to the top right of the cropping panel. A workflow devoted entirely to creative photo post-processing. Topaz Studio 2 lets you edit images beautifully with powerful filters and frictionless masking in a fine-tuned non-destructive layer workflow. ![]()
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